Paper Dhoni Movie Review
Updated on : Jun 22, 2012
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The attempt of this film is wide and large. The director of this film wants to give solution to every problem of this universe facing. The protagonist of this film is the author of the book ‘Paper Dhoni’. Chetan (Naveen Krishna) is a business tycoon cum software professional. His intention is to give laptop to every village at a cost of Rs.2500 so that he is addressed easily with the problems. The government pooh-poohs his idea whereas others take up this move at the international level. Chetan for setting up his unit uses the slum people and lend education. When he forges ahead with the idea of providing laptop every farmer in his own state the government gets a shock. The next target of Chetan and gang is to make this world of lies in to truthfulness. He takes on the issues at the international level and his growth of laptop at a cheaper rate has spread across the world.
It is the formation of SOS team that spreads all over the world. The problems of Ethiopia, Somalia, Nigeria he gets to know to give a solution. What next is the bloodiest issue of terrorism dogging all over the world. How he does it with SOS and how come to the normal situation is the final portion of the film ‘Paper Dhoni’.
ANALYSIS –
This kind of film flooded with problem without any logistic solution by an individual is not possible at the world level. Taking inspiration from Microsoft growth, world leaders arriving at a dramatic solution to the issues is good to see in novels and books.
When the world problem is addressed it needs lot of challenge and in this convincing on the issues the film fails miserably. No one knows what’s happening with various issues clubbed. The topics just come and go without any logistic values.
Director R K Nayak intention is good. He wants to see the entire world as ‘Truthful’ and ‘Rama Rajya’ policy is agreeable. Instead of going at wider perspective he should have catered to the issues dogging our country.
However the thought of addressing the former via internet and solving the problems of the people via close circuit TV in every road is appreciable.
Taking four main issues – poverty, corruption, terrorism and illiteracy he should have worked out meaningful measures. There was no need to bring childhood, mother sentiment, love angle for this kind of film. Such issues spoil the mood of the film. Suggestively it could have been narrated.
This film coming after ‘Super’ has the shades but ‘Super’ catered to the sub continent. Perhaps after seeing ‘Super’ story this director has elaborated his thoughts. That is the mistake happened.
Of course Indian politics and Indian constitution has to be consulted while taking measures. In the surroundings of constitution and politics director should have given a thought provoking ideas for some of the issues from Kashmir to Kanyakumari.
Focusing on too many issues and the technical support not coming to help the film looks like a documentary of certain issues.
Less talked about this film is better!
PERFORMANCES –
Naveen Krishna is the saving grace of this film. His dialogue delivery is the asset of this film. There is no other character that supports the film. Actress Shanthala is only good in two songs of the film. The veteran actors like Avinash and Vinayaprakash have nothing absorbing to perform.
TECHNICALITY –
The film ‘Paper Dhoni’ suffers severely on the technical front. While addressing the world issues the backdrop required and high style and sizzle needed has not come to the help. The budget constraint is seen in every shot of the film.
On the dialogue front the film is OK. Jai Anand is a good cameraman but none of the shots are polished to look very bright to the eyes. Music director Sri Suman has given two tunes – Nade Nade…..Irabahudha Irabahudha….
Last but not the Least – Clean atrocity of City then go international!
HOPELESSLY MADE – Score 1.5/5
Cast – Naveen Krishna, Shanthala, Avinash, Sathyaprakash, Sathyajith, Adhi Lokesh and others.
Cinematography – Jai Anand
Music – Sri Suman
Producer – Janardhan
Direction – RK Nayak
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