As the title indicates ‘Jaanu’ – it is immense love of one to another.
In this case it is father love to daughter and daughter love to her
choice the protagonist in the film.
Rukmini (Deepa Sannidhi) for a silly reason to see Mysore Dasara comes
to Mysore without telling her parents in Belgaum. She comes in a season
that is not meant for Dasara festival. She is exhausted with her money.
She comes to the hotel owned by Siddarth and Ramaiah (Yash and Rangayana
Raghu). Rukmini eats worth Rs.800 worth food and says she does not have
money. Siddarth is baffled when Rukmini ask him to give a place to stay
for the night. Ramaiah is soft towards this Rukmini. Next day Ramaih
asks Siddarth to take Rukmini to Belgaum and leave her to her house. By
compulsion Siddarth agrees to take Rukmini. In the long journey from
Mysore to Belgaum they get to know each other.
When Siddarth brings Rukmini to Belgaum the waiting father of Rukimini
Rudregowda (Shobaraj) and his men pounce on Siddarth. Without inquiring
they beat up Siddarth and take away Rukmini but soon Rudre Gowda repents
and brings Siddarth to his house for hospitality.
When Siddarth comes to stay here in the big house of Rudre Gowda the
beautiful Rukmini express her love to Siddarth. Soon Siddarth and
Rukimini are in shock when Rudre Gowda announces that a boy is waiting
for her daughter marriage. In the meantime a relative in the house is
also aiming to get married to Rukmini. It is a triangular fight for
When Rukmini decide to elope with Siddarth from her house it is a
different check the director of ‘Jaanu’ gives. In the early morning
Siddarth drops Rukmini to her house. He says to Ramaiah who is there
with him that father love is more than his love for Rukmini. It is
engagement for Rukimini with another boy. What happens when Rudre Gowda
finds a bag of Rukmini that was in the jeep? That is the climax lead.
Everything is good at the end.
Director Preetham Gubbi has followed the old standard set by his
colleagues in this type of family drama. The hero bringing heroine to
the house and leaving her is seen in many films already. The pattern of
narration is so poor in the first half. It is a big yawn time especially
when the journey begins from Mysore to Belgaum.
The situation of audiences is almost like the song that comes in the
film – Kanmuchro Kanmuchchi….(close your eyes). Tired of routine things
and yawning in between when the songs comes Kanmuchro Kanmuchchi….many
would have done that in the theatres and gone for a nap.
In the love story making a different screenplay is the only call of the
day. The brilliant part and surprising part is when the bag of heroine
that was kept in the jeep on the day of eloping found by father
There are several scenes in the film found similarly in other films.
Preetham Gubbi is successful to the extent of 25 percent in this film.
He has no control over editing it seems. After a chilling rain soaked
fight suddenly the song En Samachara….appears on the screen. This leaves
a strong opinion that songs and fights would make a film. Not giving
any gap in between showing action and a song speaks very poorly of a
director and an editor of the film.
There are two powerful scenes in the film. When Deepa Sannidhi tells her
heart is to Yash it is a well conceived one. Like that when Yash tells
Rangayana Raghu that the love of father is so high towards daughter I am
ready to sacrifice my love.
The feel good factor of Yash throughout the film is another appreciable
factor. The film needed a few surprises in the first half of the film to
hold the attention of the audiences.
It is a well stitched role of Yash. He is good in action portions and
two songs are lovely for him. There is no fault from his side to the
film. The lucky heroine Deepa Sannidhi at places looks very beautiful
and sexy. The Belgaum style of Kannada dubbed for her role enhances the
role played by Deepa Sannidhi. She is a heroine to watch. How come she
has come a little fat – there is an indication in the film when she eats
Rs.800 worth food in the hotel!
Rangayana Raghu has nothing special. Shobaraj is very good as Rudre Gowda and caring father.
Cameraman S Krishna has given the wide and close angle shots with great
degree of skill. He has been proving his mettle from the days of
‘Mungaru Male’. The choreography of two songs is good. Music director V
Harikrishna has given two peppy songs for front benchers and two
melodious tunes for others.
The song Kaddhu Muchchi….sung by Anuradha Bhat is on top. Equally on top
is the song sung by Sonu Nigam in Neenu Nanna Saviganasu…. Both the
songs are penned by Jayanth Kaikini.
Ravi Verma action composition is on top. But proving the guts of the
hero in one of the scenes was important as he takes on dozen people
Last but not the Least - Obsession of father Love and life partner leads to a good family life!
NOT WITH FULL LIFE – SCORE – 2.5/5
Cast – Yash, Deepa Sannidhi, Shobaraj, Sangeetha, Rangayana Raghu, Sadhu Kokila, Layendra, Madhu, Veena Bhat and others. Music – V Harikrishna Cinematography – S Krishna Producers – Jayanna and Bogendra Story, Screenplay, Direction – Preetham Gubbi
KFCC unhappy with State Budget - KVC Interview The knowledgeable person at the helm of Karnataka Film Chamber of Commerce KV Chandrasekhar a well known exhibitor and advocate is unhappy for no consideration shown to Kannada film industry by
Dr Siddanth Interview Arrives With Big Bang In a rich and elegant style another youngster Dr Siddanth arrives with loads of dream and tons of hard work from ‘AK 56’. It is true that he appeared first in ‘Minchu’ but there was no sparkle
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