Kannada Movie Exclusives

T.S. Nagabharana - Treasure of Kannada Cinema

Updated on : Nov 29, 2010



T.S. Nagabharana - Treasure of Kannada Cinema

The treasure of Kannada filmdom with expertise in commercial and art films T.S.Nagabharana national acclaimed director of Kannada cinema T.S.Nagabharana occupies the crown of hat trick of national integration award.
A man with nerves in theatre, small screen and big screen T.S.Nagabharana the sitting Chairman of Karnataka Chalanachtira Academy rode a clever profession and never gave up discipline. Among the 30 plus films the highest blockbuster is ‘Janumadha Jodi’ is a record winner in Kannada cinema starring hat trick hero Shivarajakumar and Shilpa for the Dr Rajakumar family banner.
‘Akasmika’ TS Nagabharana directed based on the novel of ‘Akasmika, Aparadhi Parinama’ reached another top ranking status for the song ‘Huttidare Kannada Nadalli Huttabeku’. The films like ‘Mysoora Mallige’, ‘Naga Mandala’ a period cinema and folk based subject also earned good status in his career.
The national integration Nargis Dutt award he won for 'Kallarali Hoovagi' is his third one. For 'Grahana' in 1979 and in 1990 for 'Santha Shishunala Sharief' director T.S.Nagabharana won the similar awards in the past.
The hat trick crown of Nargis Dutt national integration is for the first time in the Indian film history Kannada film director T.S.Nagabharana.  He is the winner of SR Puttanna Kanagal award too the prestigious one given by the Karnataka state government.
With a rural background, Nagabharana was in to theatre doing various works before becoming an actor and director. He is a graduate in Science and Law.  He is influenced by playwright Adya Rangacharaya, BV Karanth and Girish Karnad. He was in Benaka and worked in the cultural troupe of Ranga Sampada. Sangya Balya, Jokumaraswamy, Krishna Parijatha, Hayavadhana, Blood Wedding, Tingara Buddanna, Sattavara Neralu are some of his top plays.
30 years and 30 films his movies have been selected for international film festivals and Indian panorama. Grahana, Banker Margayya, Chinnari Mutha, Mysora Mallige and Nagamandala are a few among other globally appreciated and acknowledged films. He started as director in 1979 from ‘Grahana’ and received best screenplay and best director awards.  
Bangaradha Jinke, Anveshane, Praya Praya Praya, Banker Margayya (based on RK Narayan Novel), Sedina Sanchu, Asphota, Prema Yuddha, Santha Shishunala Sharief, Mysore Mallige, Onti Dwani, Chinnari Muttha, Netra Pallavi, Akasmika, Makkaliralavva Manethumba, Naviddeve Echcharike, Nenapira Doniyalli, Janumadha Jodi, Surasundaranga, Nagamandala, Premagni, Ravana Rajya, Vimochane, Janumadaata, Sagara Deepa, Kallarali Hoovagi, Nam Yajamanru are some of his films in the three decades in Kannada cinema.
In the small screen Stone Boy reached the top recognition. Bayalaata, Suryakanthi, Sangavvane Kathe, Shasraphan, Shradha Ke Mehak, Shriman Srisamanya, Namma Nammalli, Officeyana, Geetha Madhuri, Turugu Baana, Hrudaya Hidi Hrudaya, Mussanje, Kannugalu, Joku Jokay, O Nanna Belake, Sankranthi, Gelathi at the national net work Tenali Rama, Samsarana, Aradhana, Ganayogi Panchakshari
With a strong cultural insight TS Nagabharana started Shruthalaya for organizing, writing, composing, camera work, lighting, art, acting, editing or directing.
•    From the beginning I thought a process for my film. I am continuing with that trend.

•    Losing life in my film is not my intentions. It should be full of life. Film without life is not my liking.

•    I always aim at making the audience to think of tomorrow.

•    I don’t make films on the basis of stars image. Script and Screenplay search the artists. I have made films with artists like Dr Rajakumar, Ambarish, Ananthnag, Vishnuvardhana, Shivarajakumar.

•    The director of today’s genre is losing importance.

•    Literature and Cinema are two entirely different. Understanding both is very important.

Cinema has its own strength. Without language it reaches masses.

T.S. Nagabharana - Treasure of Kannada Cinema Gallery

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